#Captain america civil war 2 parts full
#Captain america civil war 2 parts professional

вЂњWe had almost every shot going at once so it was easy to miss those things, like when the order of shots got changed,вЂќ Earl remarks. вЂњWe could have anything from Ant-Man being a half inch tall on a piece of airport equipment all the way up to a big aerial shot where youвЂ™re seeing 50-foot tall Giant Man fighting.вЂќД¬ontinuity was a serious issue. вЂњIt was almost like an animated feature,вЂќ he says. You can add all of that later.вЂ™вЂќД®arl figured 600 to 700 assets needed to be created digitally.

It quickly became, вЂLetвЂ™s not do the vehicles. Now weвЂ™ve turned and that one would be over there. When he was there that vehicle was here and that one was there. The DP backlit everything so if you were going to flip to the other side of the scene you would have to move all of the vehicles.

вЂњWe had some vehicles typical of an airport tarmac, like luggage tugs, in Atlanta. вЂњWe created everything from scratch,вЂќ states Earl. Then we started finishing shots off and slowly filled in-between them,вЂќ he notes.ДЄccording to Earl, digital asset development was a massive undertaking. вЂњWe brought everything up to a certain level so that editorial had something represented to cut in and we could know if we were on the right path. As editorial got more involved they kept changing the cut.вЂќ The shifting narrative required EarlвЂ™s team to remain flexible, without finalizing any work too early in the production. We started with that previs as an overall map, knowing throughout the course of this fight our characters have to go from Point A to Point B.

#Captain america civil war 2 parts full

вЂњThe full airport was scanned and photographed for reconstruction purposes,вЂќ Earl continues. Then Bruce and Elbert Yen, our paint supervisor, worked on getting all of the assets going.вЂќДЄll told, the ILM group produced around 625 shots for the battle. Next they took the airport and mapped it all out. We took a similar approach where Tim and the layout group worked closely, first looking at the previs. As he explains, вЂњLayout supervisor Tim Dobbert, animation supervisor Steve Rawlins, model supervisor Bruce Holcomb, compositing supervisor FranГ§ois Lambert, CG supervisor Pat Conran, lighting supervisor Jeremy Bloch and I worked together previously on Winter Soldier. In Captain America: Civil War, a climactic 20-minute showdown pits superhero against superhero, causing massive destruction of a German airport вЂ“ leading the team responsible for construction of a full CG battleground, hundreds of digital assets and extensive use of digital doubles was ILM visual effects supervisor Russell Earl.Д®arlвЂ™s team, and approach, mirrored the work he supervised on Captain America: The Winter Soldier.

However, they soon find themselves up against an unexpected and formidable enemy-the Winter Soldier.With the recent release of MarvelвЂ™s Captain America: Civil War on Blu-ray and DVD, we look back at some of the tremendous visual effects work done on the show by ILM in the second of our two-part feature - Part 1 can be found here. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon.

#Captain america civil war 2 parts professional

Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn.

colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. and trying to adjust to the modern world. After the cataclysmic events in New York with The Avengers, Steve Rogers, aka Captain America is living quietly in Washington, D.C.